Monday, December 26, 2011

Drugstore Collective Haul - 3.23.11

Products Mentioned: Maybelline Expertwear Quad in "Sapphire Smokes" Wet N Wild Palette in "Blue Had Me at Hello" Jessie's Girl nail polish in "JulieG" Almay One Coat Dial Up Mascara Maybelline The Falsies mascara - waterproof Jane One Liner Eyeliner (did not have a name on it, but it was purple) CQ Eyeliner in Bondi Blue (Walmart) CQ Eyeliner in Blue Wave (Walmart) Nivea Kiss of Flavor lip balm - Strawberry Nivea Kiss of Shimmer - Pearly Shimmer Nivea Kiss of Milk and Honey lip balm Maybelline Eye Studio Gel Liner in Blackest Black Revlon Colorstay Aqua Mineral Makeup Revlon Super Lustrous Lip Gloss in Coral Reef Crown Brushes: C406 Large Duo Face (large stippling brush) C405 Contour Blush C433 Pro Blending Fluff C404 Small Duo Face (small stippling brush) Eyeliner Brush (no name) Follow me on Twitter: www.twitter.com Questions? www.formspring.me FTC Disclaimer: I purchased all of these products with my own money. I am not affiliated with any of these companies, nor am I being compensated for this video. All opinions are my own.

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Wednesday, December 14, 2011

To Faux Or Not to Faux - Bottom Line, What is it Supposed to Cost?

!9#: To Faux Or Not to Faux - Bottom Line, What is it Supposed to Cost?

I have been fortunate enough to be given a chance to Host for a New Remodeling Show that has a premise for teaching the TV how to find the right contractor at the right price. As for Faux Finishes, I have been a successful Faux Finisher for more than 25-years, and I have also taught classes in regard to the most basic of techniques; and since I have been a project manager for remodeling projects and also have bought and sold properties for profit, I do have a lot of experience in regard to what a contractor should charge in regard to remodeling and finishing work! There is an infinite variety of Faux (which is a French term that means, "False", such as in a false finish), and each faux finish can be easily categorized; and because of this, there can be a simple breakdown in regard to pricing, may it be per square foot (if dealing with a walls, ceilings, floors surface), per linear foot (if dealing with molding or units that can be measured by length such as cabinetry), or else, per piece (may it be a piece of furniture or furnishing).

To simplify, I have listed the most common of faux finish with associated pricing found below with the understanding that the contractor (if not licensed with a Class-C License, which is needed by Painters / Finishers / Interior Designers) will have the minimum of a business license, liability insurance, workmen's compensation (if any employees are provided) and proof of a positive work history that can be found with the provision of a referral list and photos / samples of completed projects. Warning: Do not hire any Idiot that professes to be a professional and does not have the basic facets described above! Also, keep in mind that all of the finishes (mentioned below) can be applied with either a water base products, or else, water born product (Water Born Products simply have an oil base personality, but can be cleaned up with soap and water prior to its natural cure time); and the relevant importance to you is this: If a faux finish can be applied and completed properly utilizing a water base or water born product, the project can be done faster than using a oil base product; and this should translate into a lower labor cost charge! List of Faux Finishes & Prices: Wash or Glaze - Most commonly used as wall applications: The pricing listed below reflects a minimum workspace of 500 square feet (which is calculated by the actual area space being finished) with the understanding that a smaller project surface would incur a higher cost per square foot. As for Ceiling Applications, there should be an addition cost of 20% due to difficulty.

1-Application 2- Applications 3-Application
Rubbing .15 sq. ft. .40 sq. ft. .60 sq. ft
Ragging .25 sq. ft. .50 sq. ft. .70 sq. ft.
Sponge .25 sq. ft. .50 sq. ft. .70 sq. ft.
Dry Brush .30 sq. ft. .60 sq. ft. .90 sq. ft.
Rag Rolling .35 sq. ft. .65 sq. ft. .95 sq. ft.
Bagging .40 sq. ft. .70 sq. ft. .00 sq. ft.
Stipple .50 sq. ft. .80 sq. ft. .10 sq. ft. Crackle: .00 - .00 sq. ft.

* Note: Yes - Water Base options do exist to produce Crackle] False Finish: [Minimum Work Space of 100 Square feet]

*Note: A Fantasy Finish is defined as a false finish that looks similar to a true effect found in nature, but it is not exact, somewhat flawed and may have the appearance of being less real.

A True False Finish looks identical to any effect found in nature!

Painted Fresco .00 sq. ft. - .00 sq. ft.
Fantasy Marble / Stone .00 - .00 sq. ft.
True Marble / Stone .00 - .00 sq. ft.
Mediterranean / Antique .00 - .00 sq. ft.
Texture Paper .00 - .00 sq. ft.
Metallic ,00 - .00 sq. ft.
Patina / Verdigris / Rust .00 - .00 sq. ft.
Gild & Leafing: Both Gilding and Leafing is a very old skilled technique; and when done by professional craftsmen that are utilizing precious materials (such as real gold), the outcome is not only breathtaking, but also costly. However, due to modern packaging and short cut products that can provide a cheaper effect, there is a lot of verity in regard to pricing. I would advise making an effort to request a minimum of three bids (quotes) on having any work done; and be sure to verify (on contract) what materials will be used, may it be real precious metals, or else, imitation...

Lastly, techniques can be broken down into either Foil or Rubbing Techniques. Stencil / Stenciling: Stenciling is an age-old specialty that has two basic techniques, which is Blocking (the use of a cut out stencil made from wax paper that can be used in repetition), or else, Freehand (where all stenciling is done by a freehand with the use of paint brush or creative options, such as pencils, markers or paint pens). The price for stenciling can vary greatly depending on the size or complexity of the stencil; however, for a basic stencil that is no more than 6 inches in height and is made up of one to two colors, the following pricing can hold true from simple to more complex: Blocking - .00 - .00 per linear foot Freehand - .00 - .00 per linear foot Cement / Concrete Applications: Cement and Concrete coloring has grown very popular within the last 20 years, and because of this, there are three basic options: Acid Stain - An acid is used to produce color, and even though it is a caustic means to an end, an acid stained surface does provide a more enduring finish.

However, there is little option in controlling the outcome color since cement surface are unpredictable due lye content or the surface condition that can react differently due to wear, elemental weathering or staining due to previous tracked oil products. Once colored, the cement or concrete can be sealed with either a penetrating sealer or surface sealer. Stain Sealer - A cement or concrete sealer can be applied as either a water base or oil base product depending on your needs. Either way, the sealer penetrates the cement until it has reached it saturation point, and thus, stops the penetration of any other liquids. Usually, two or three applications of a color sealer can be applied to a cement / concrete surface; and once a desired effect has been reached, it can be sealed with one or more application of a clear sealer to not only seal the surface, but to also protect the color pattern produced by color sealers.

In regard to basic color patterns, cost for two to three applications of a sealer (may it be color or clear) is - $.85 sq. ft. - .10 sq. ft.; and as for more complex patterns to imitate natural stone, the price variance can be from .50 sq. ft. to .00 sq. ft. depending on the complexity of the pattern. Paint Application - In recent years, there has been the introduction of a great many cement / concrete paint applications that are water based and can successfully be used on resident floors, walkways and driveways. Whatever products that are used, you should verify that the paint product is warranted for your project; and the cost can vary depending the finish, such as a solid color (Two-Applications .25 - .50 sq. ft.), or else, a stone finish application that can be from .00 sq. ft. - .00 sq. ft. depending on the complexity of the finish. Bottom Line: The most import part of any cement / concrete application is in preparation of the surface; and this includes cleaning the surface and not allowing any residue to remain on the surface; and a quick personal note: If the surface is cleaned with water, especially a power washer, be sure to allow the surface to dry out before any applications are applied!


To Faux Or Not to Faux - Bottom Line, What is it Supposed to Cost?

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Tuesday, November 29, 2011

Monday, November 7, 2011

Make Pictures From Silhouettes

!9# Make Pictures From Silhouettes

If you need to brighten up your walls, this may be the perfect answer. These are basically not very expensive to construct, as you do not require much to make them. However, you will find, that the finished effect will create interest and is pretty attractive. You can also make them as gifts.

Of course, first you have to make the decision on the size of frame you require, as to where you want to hang it, and the area of the space. At the present time you can buy frames that will hold up to five pictures, but you may only want a double or a single frame for your first attempt.

You will require a very clear base to work from, this being a really clear outline from a photograph. So you will need your subject person or animal to face sideways for this to get a good shot. This sounds pretty good so far, so what tools will I need? Some white paper with a texture to it and some soft coloured paper, say burgundy, for instance. Also, a fine crayon, the same shade as your coloured paper, masking tape, pencil, spray glue, tracing paper, frame, photos and a craft knife.

Where do I begin? Establish which photo, or photos, you are going to use, then place the chosen one on something flat. Now cover this with the tracing paper and use the masking tape to tape it down. Sharpen your pencil and carefully trace round your silhouette on the photo.

If, for example, you are doing the silhouette of a person, you need to put a curve at the neck where it finishes, so it will appear to liken cameos that you see on brooches. Once you have done this, take off the tape and remove your tracing paper. Then make sure that it is a suitable size for your frame. A trip to a copy shop will put this right!

I have suggested burgundy paper, but you can choose any colour. Well, you need this paper now to put your freshly traced paper on, with the penciled side facing the paper. Then, masking tape it down. Now press really hard and go round your image with a pencil to transfer the shape to your paper. Now we have reached a delicate operation which needs some patience! Take your craft knife and you now need to cut your shape, keeping to your outline. Not easy, I might add!

Take out your textured paper next. You will need enough to cover the frame, with 1cm spare on all sides of it. Your silhouette then will need to be sprayed with glue and put firmly in place in the centre of your paper. At this point you can add an outside border with a coloured pen or pencil, but this is optional. If you cut some very fine pieces of the coloured paper, you could add some extra details like eyelashes or eyebrows for example.

This is now ready to be framed and admired. Friends and family will love it!


Make Pictures From Silhouettes

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Friday, November 4, 2011

8 Special Painting Techniques

!9# 8 Special Painting Techniques

If you want something more interesting on your walls than plain emulsion or eggshell paint, there are a number of special painting techniques you can use, some of which require some extra tools plus home-made or commercial oil-based glaze and a selection of tints.

Sponging involves dabbing one or more additional colours on to a base coat to give a mottled finish. It should be done with a sea sponge (not a cellulose sponge) which should not be overloaded. Start at the lop of the wall and dab lightly. Sponging off also uses a sea sponge, but here the paint is put on the wall first and dabbed off.

Ragging on is done by 'printing' the wall with a rag dipped into coloured paint on top of a base coat. Ordinary rags can be used or, for a different effect, cheesecloth, chamois leather or plain cotton.

Ragging off involves first painting the wall with an oil-based glaze and then removing it with dabbing movements.

Rag rolling is similar to ragging off, but here the rag is bunched up and rolled up and down the wet paint - not an easy technique to master.

Dragging also involves working with a wet glaze, but here a paint brush is used to draw down the glaze to leave a striped effect. As with ragging off and rag rolling, the job is easier with two people one to apply the glaze and one to apply the technique.

Stenciling is an old technique for which you need a prepared stencil of the pattern required and a stubby stencil brush to apply the colours. For best results, the stencil should be spray mounted into place to prevent it from moving.

Effective stenciling can also be achieved by using an indoor aerosol paint.

Stippling involves dabbing a brush on to wet glaze. A special stipple brush can be used, though many people achieve good effects with (clean) shoe brushes.

Colour washing is achieved by first putting on full-strength emulsion of one colour and following this with a different colour thinned with water and applied with random criss-cross movements.

Spattering is a technique which gives dots of different coloured paint on the base colour. It is achieved by flicking the paint at the wall, most easily done by loading the paint brush and hilting it against a piece of wood. Several colours can be used to good effect.


8 Special Painting Techniques

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